- Видео 8
- Просмотров 314 681
George Goire
США
Добавлен 8 июн 2007
Hello, I am a mixing/mastering engineer looking to share my knowledge through this RUclips channel.
If interested in mixing/mastering services contact me through my website, IG Direct Message, or Facebook.
Instagram: @goire.mixing
Facebook: George Goire Mixing Studio
Thanks!
If interested in mixing/mastering services contact me through my website, IG Direct Message, or Facebook.
Instagram: @goire.mixing
Facebook: George Goire Mixing Studio
Thanks!
Bad Bunny vs Bruno Mars vs Hans Zimmer - Loudness WAR or NOT? (Dynamics in Audio Mastering)
In this video, I do a comparison of loudness of popular songs from Bad Bunny (Trap), Bruno Mars (Pop), Bring Me The Horizon (Rock) and Hans Zimmer (Cinematic soundtrack). We check each song's maximum LUFS measurement captured by the Izotope Ozone Mastering plugin and compare. Are mastering engineers still in Loudness War or prefer dynamics??
Interested in mixing/mastering service? Contact me:
georgegoire.com
Check out some of my mixing/mastering work:
ruclips.net/p/PLH...
SOCIAL MEDIA -
INSTAGRAM - @goire.mixing
FACEBOOK - George Goire Mixing
Interested in mixing/mastering service? Contact me:
georgegoire.com
Check out some of my mixing/mastering work:
ruclips.net/p/PLH...
SOCIAL MEDIA -
INSTAGRAM - @goire.mixing
FACEBOOK - George Goire Mixing
Просмотров: 416
Видео
Why Mixing Electric Guitars with DISTORTION is a Pain!
Просмотров 2782 года назад
In this video, I show 2 reasons why mixing electric guitars is not the easiest task. Many worship, rock, and CCM (Contemporary Christian) music have distorted electric guitars in the form of Power Chords. I am going to give you a few ideas on how I tackle these issues. Interested in mixing/mastering service? Contact me: georgegoire.com Check out some of my mixing/mastering work: ruclips.net/p/P...
How MUCH This DIY Home Studio COST?? (Achieve STELLAR Acoustics)
Просмотров 1,6 тыс.2 года назад
In this video, I discuss my mixing studio build and how I designed the walls for maximum acoustic treatment given the dimensions of the room. I also talk about how I built a diffuser and the type of fabric used for the acoustic walls. How much I spent in the entire build by DIY what I could? Check it out! Interested in mixing/mastering service? Contact me: georgegoire.com Check out some of my m...
From dull to BIG Punchy Drums Sound (Mixing with SSL Analog Console)
Просмотров 2,8 тыс.2 года назад
My approach for mixing drums and getting a punchy sound using an SSL Mixing Console and Pro Tools. The sound is achieved mostly using the SSL channel EQ and Compressor and some digital plugins (UAD EMT-140 Plate Reverb, Slate Trigger 2, Waves C1 Gate). Any questions or video suggestions leave me a comment! Check out some of my recent mixing/mastering work: ruclips.net/p/PLHBmzTWofhV2f-sAt6AHwkJ...
Mastering Worship Song with 2 Analog EQ's (COMPARE MIX vs MASTER)
Просмотров 1,4 тыс.2 года назад
In this video, I describe my approach to mastering this Spanish worship song with 2 analog EQ's (Manley Passive, Dangerous BAX EQ) and a couple of digital audio plugins (UAD ATR-102 Tape, UAD Pultec, Fab-Filter Pro-Q 3, McDSP AE400 Active EQ, Izotope Ozone 8 Advanced). I also describe the tradeoff between Loudness and Dynamics and my sweet spot for this mix measured in LUFS. Thanks to Kingdom F...
Routing Pro Tools Mix Session to SSL Console
Просмотров 15 тыс.2 года назад
In this video, I describe my process to move mixes from the digital domain with Pro Tools (DAW) into an analog Solid State Logic (SSL) console for hybrid mixing. Thanks to my clients Andrew Acevedo and Sam Bou from Innakore Entertainment for the permission to use the session for this video. Instagram: @goire.mixing Facebook: GeorgeGoire/ www.georgegoire.com
10 Minute SSL Console Mix
Просмотров 2,1 тыс.3 года назад
Mixing a client's song using the SSL AWS console in 10 minutes. This is not a final mix but shows a bit of my approach to mixing engineering. Some analog compression was used as inserts on the channels and is not shown in the video. Leave a comment, lets talk! Follow me on Instagram @goire.mixing Website: www.georgegoire.com
Tutorial de Songo en Piano (Para Coritos de Iglesia)
Просмотров 291 тыс.12 лет назад
Este es un tutorial basico de como tocar songo en el piano para los coritos de iglesia.
This is an awesome video. I have a much better understanding of the mastering process now. 👏🏻
Are you doing your automation in the box?
that's crazy one of the sound that you used was a sample pack that i used in one of my song years ago when i used to used sample pack.. Nice video and nice SSL...
Muy bueno, didáctico.
Thanks my friend for this video!!!!!The most new tracks are so loud with gain at 98-99, clipping and overcompressed, also they make normalizing and cut the peaks!!!! Spotify also makes overcompression in my opinion. I stopped my premium subscription and I listen free at youtube music now. The other disadvantage is that many songs tend to be lofi like Taylor Swift Evermore, Midnights and her re-recordings. Also at Billie Eilish songs I can't hear higher frequencies. Here in Greece they follow these bad standards on mastering the new greek songs, and old "remastered" recordings! Same with vinyl re-releases of famous Greek albums, they are so loud and overcompressed, are far from the sound of original recordings.
Thinking about buying a ssl origin 34 but I’m not too signal flow savvy when it comes to all the wiring that that board will need 😩 any advice bro ?
Great video! When you are using effects in the mixing console, is that effect coming from the console? Or are the effects in Pro Tools responding to the pots on the mixer?
Thanks my man!!!Great video!!!
Thank you George. I use Pro Tools and just obtained a SSL CDS100 48 Channel Console and beginning the journey to connection and found this very helpful :)
awesome!. Thanks!
side chain on electric guitar NO WAY
Solid. Thanks for sharing! 🙏
Nicee. Hey bro can you send me the pro tools template for this setup?
Love the build! Question for the walls with fabric covering the walls how did you install and make look so tight? I’m currently about to build a studio and trying to go without using a track system for fabric to tuck. Any tips?
Hello! I used a fabric track system from fabricmate.com. It’s probably the best way to install fabric on acoustic walls.
Toca y no enseña
You should do more videos, something like this with tips, not too long, not too fancy. It’s good stuff
Shame the video quality is only 480p
If anyone can help me understand this process please feel free to answer me. How could I use a digital console such as a behringer wing in a setup like this? Using the onboard processing for individual channels while sending some channels to reverbs or delays within ProTools? I wouldn't need any interfaces because it would be a USB to USB connection. What's confusing to me is the channels are being sent through your interface then to the console then back to the daw.
Espectacular bendiciones 🔥
Can you post more?
Can you post more? I liked watching all of this it’s helping.
How about Hans Zimmer NO Time do die Billie's song ?
Great video . Do you do any one on ones ? I would like to get some help with routing my console and making a pro tools template to go with it . I pretty close but something is off with it .
Hermano, Saludos desde Colombia. No has vuelto a sacar Video de songo mas avanzado para incorporarlos a los coritos de la Iglesia. Bendiciones
Nice one!
Hi George, I don't understand how you are monitoring your final mix... It's direct from your master bus on the ssl or from the print (post converter).
Hey, monitoring of the mix is what comes out of the pro tools print mix bus. So it’s post any final mix bus plugins and converter.
I had the same issue at first. I almost bought the wing, but got a Behringer X32 instead. I run Studio One with it and now I have them in sync. And can do a mix, either in the daw or on the console and then can send everything back into the DAW as a print track... I can use Behringer effects or software plugins. It shouldn't matter, and you don't need an additional interface....
WOW WOW !! You can control general volume and (main ) (your) headphone (no musician headphones) with ssl in front pallen?
computer volume ...
@@GeorgeGoire Yes)) Is my dream setup )) Protools hdx + ssl stop )))) bye
For a noob like me this kind of video is a very nice way to learn… thanks 🙏
Great Job !
Thanks!
Hi George. I have an SSL AWS 916. I don't know very well how to route the physical knobs Fx1 to Fx4 to the returns to use plugins. If I have used hardware reverbs and through my patch of connections I can use it, but with plugin I was not able. You can help? How do you do it? Do you also patch to get to use the plugs from the knobs on the analog console? Thanks you so much...!
Hey, I route my FX sends to inputs in my Avid HD I/O converters. I then make AUX channels in Pro Tools that have the reverb plugin 100% wet and use the inputs I selected for FX from my converters. Then I route the output of the reverb AUX channels to "ST Return 4" in my console so they are added back to the analog mix. There will be latency as there is one roundtrip of AD/DA conversion, but it works great for me since that becomes like a pre-delay on my reverb signal.
Can you do a studio tour of your gear and how they are routed?
Will try to make this happen. Haven't had a lot of free time lately. Thanks for the suggestion!
Another question, you put differents compressors per tracks or just a few, like 2 or 3?
I rarely use more than 2 compressors per channel. It’s usually one or sometimes 2. But there are no rules 😁!
@@GeorgeGoire Thanks. I found by myself that add reverbs on snare and toms gave me more sustain and big sound. I'm not a pro, but I like sound and make big sound on my drums. It's a huge challenge for me...
@@fredbob7521 that's cool! And you can apply a compressor to it to beef it up a bit!!! It will sound incredible!
I love the way you do and when you turn on the plate reverb on the snare!!! Cool. I will try on my WING futur mix. Thanks! Fred from France!
Thank you!
What type of mixing console are you using cuz I'm interested in possibly a quantity of mixing console
@@GeorgeGoire joy that thank you for getting back with me in reference to your console my question again to you do you use a lot of plugins or do you use outboard gear cuz I have a lot of plugins and I'm just wondering how well it will work out should I able to acquire this console can you help me out with that information thank you
i was I little bit confuse how you do it with the sends. So, tracks go to ssl and come back to PT to the print track. But with the Fx, they have to wait for the ssl sound comes back, and then you rout to ssl 31-32. So, Fx wait four the track then goes to ssl, then goes to print? You don't have problems with latency with the Fx?
By the way, nice video, would like to see more of this kind. Routing stuff and mixing analog. Thanks and good luck
Great observation! Yes, it does have latency due to a round-trip AD/DA conversion. The lower the buffer setting in PT, the lower this latency becomes. For me, it’s not an issue to have latency since I use these FX for reverbs only. The cool thing about this small latency is that it acts as a reverb “pre-delay” which I always use anyways. So I get a natural pre-delay on my reverbs from the latency and it works out great! Thanks!
@@GeorgeGoire All right! Understud! Thanks for the comment. In a far way day i would like to have an ssl like that! Congrats for the channel
Awesome drums George!
Most wanted video ! Thank you 👍
Good video as always buddy but can I just confirm that u were showing the LUFS for the loudest section of the track and not the overall integrated loudness? As a track with quite intro, bridge etc can have the loudest section as much as -6LUFS but end up having an integrated of -10 or even -12LUFS? Which is what the digital platforms calculate. share your thoughts please 🙏🏾 also a few quite section in the arrangement is a good way to foul the digital platforms to achieve louder sections if needs be 🤣 but dynamic before loudness always 💪🏿
That’s correct. In my mixes, I usually check the loudest part to make sure loudness is not out of control. If I am peaking at -7 LUFS, then I am pretty comfortable with the rest of the mix knowing that it has room to breath. But you are right, it’s the integrated what platforms use. I mostly care about the loudest parts since that is what could cause clipping and distortion when the song is converted to formats from Apple and other streaming services.
@@GeorgeGoire is crazy I did a loudness check in Adele's new album and the track I Drink Wine 🍷 loudness peak reaches to -4.9Lufs unbelievable that a Ballard love song album have the majority of tracks peaking as loud as -5Lufs , I give up 🤣🤣 and we still going on about -14Lufs for digital platforms 🤦🏾♂️🤦🏾♂️🤣🤣
@@lmpcrew oh wow, that’s outrageous 😂. Now I am curious to check!
@@GeorgeGoire definitely run through the tracks it's incredible how loud that album is, I was shocked 👀👀🤦🏾♂️
Great video. Did not expect to see you covering other music. Craft knows craft.
Thanks man!
I knew that handle was familiar!
Very good video... now a days I feel no dynamics on tracks... and it’s because of mastering loudness... best recordings don’t sound very loud, but have a lot of dynamic
Thanks! Agree with you! It’s good to see top songs with some dynamics left for us to enjoy! Louder is not necessary better, in most cases it just sounds worse.
Good job! thank you George it help a lot Please Keep putting out more video’s
Thanks man!
Loving your videos George! Keep them coming! Cheers!
Thank you! Appreciate it!
🔥🙌🏼
🙌🙌
And about studio airco?
I use the central air conditioning for the house. I also have a portable AC for this room when needed but may eventually install a mini-split AC just for the studio.
Tremendo. Felicidades por tu studio.
Love this bro
Appreciate it brother!
Great content buddy keep them coming 👌🏾👌🏾
Thanks!!
What is the rt60 rime in your studio ?!
I did the measurement right after finishing the room but don't remember the numbers. If I find the results, will get back to you. Otherwise, may have to take new measurements.
Hi George, what would be your approach between Neve and SSL console, in terms of sound/color?
Hey! So I feel like Neve gear and emulations do something really cool in the low end that I like and I use Neve-like gear or plugins for certain elements like drum bus and bass. But SSL is my mixing workflow and the tool for general mixing tasks. It’s the sound that I’ve come to love over the years.
@@GeorgeGoire Awesome! Thanks!
Great vid!
Thanks! Appreciate it!